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戈达尔通过一种鲜为人知的形式建树了电影与文学之间的关系:“电影是从回忆开始的。电影开始于找回的时光,结束于失去的时光。文学,它呢,从失去的时光开始,结束于找回的时光。从这一点来看,这是一回事,但是如果你愿意的话,你可以坐在两辆交叉而不停歇的火车里。”电影确实有使过去的时光重新再来的特殊性,但是正是由于这种回顾与重复产生了一种失落的感觉。它自己,一个世纪过去之后,重新上演于重复的原则变成了“自然”坡度的结束,产生了失落感。文学习惯于从寻找失去的时间开始,而且这种寻找很成功,以至于它能拯救丢失的电影。
Today, the film somewhat like Brittany, a fable of its historical era, the "imaginary space to bring this rich Brittany legendary names," but also "self-history of the origin can barely counted as unknown entity". It is an imagination : to imagine the film without it itself is a kind of imagination. Similarly, the impression formed by a lot of fantasy works can named "film fiction." "origin stories, family stories, powers novels, love stories, exile novels, study novels, the fiction of their own, clear memory of the original scene or misinterpreted, imagine from here, especially in the following space in the film are again, the audience was in the position to attract and exclusion, It is not clear how. This feeling can not be described novel way out through literature, and they are always concerned about, imagine the excitement enrichment, combat, explosions and shocked, and think through their presence remain in people's eyes. Night through a contribution in the form of a known relationship between the film and literature : "The film is from the memories begin. Film began to rediscover time, the time lost in the end. Literature, it now, the time lost from the beginning to end in the recovery of the time. From this point of view, this is one thing, but if you wish, You can not sit idle in the two cross-train. "Film is a time to re-visit the past specificity, but it was precisely because of this recall and repeat produced a lost feeling. Its own, a century in the past, re-staged in duplicate principles has become a "natural" end of the slope, generated a sense of hopelessness. Literature used in the search for lost time, and this finding was very successful and that it can save lost films.